A Star Shall Fall (The Onyx Court, 4) - Softcover

MARIE BRENNAN is an anthropologist and folklorist who shamelessly pillages her academic fields for material. Her short stories have appeared in more than a dozen print and online publications.

A STAR SHALL FALL

Purged by the sword and beautified by fire,
Then had we seen proud London’s hated walls.

—Thomas Gray,
“On Lord Holland’s Seat near M——e, Kent”

The blackness is spangled with a million points of light. Stars, galaxies, nebulae: wonders of the heavens, moving through their eternal dance.

Far in the distance—impossibly far—a bright spark burns. One sun among many, it calls the tune to which its subjects dance, in accordance with the immutable law of gravity. Planets and their follower moons, and the brief visitors men call comets.

One such visitor draws near.

The oblong is frozen harder than winter itself. The sun is yet distant, too distant to awaken it to life; the light barely even gilds the black substance facing it. The spirit that dwells within the comet sleeps, driven into torpor by the endless cold of space.

It has slept for more than seventy years. The time will soon come, though, when that sleep will end, and when it does . . .

The beast will seek its prey.

Mayfair, Westminster: September 30, 1757

The sedan chair left the City by way of Ludgate, weaving through the clamor of Fleet Street and the Strand before escaping into the quieter reaches of Westminster. A persistent drizzle had been falling all day, which the chair-men disregarded, except to choose their footing carefully in the ever-present slime of mud and less savory things. The curtains of the chair were drawn, blocking out the dismal sight, and the twilight falling earlier than usual.

Inside, the blackness and rhythmic swaying were almost enough to put Galen to sleep. He stifled a yawn as if his father were watching: Up late carousing, no doubt, the old man would say, gambling your allowance away at Vauxhall. As if he had much of an allowance to wager, or any inclination to such pursuits. But that was the simplest explanation for Galen’s late nights and frequent absences, and so he let his father go on believing it.

Regardless, he would do well to rouse himself. Galen had visited Clarges Street before, but this would be his first formal gathering there, and yawning in his fellow guests’ faces would not make a good impression.

A muffled cry from one of the chair-men as they slowed. Then the conveyance tilted, rocking perilously up a set of stairs. Galen pulled the curtain aside just in time to see his chair pass through the front door of the house, into the entrance hall, and out of the rain.

He stepped free carefully, ducking his head to avoid knocking his hat askew. A footman stood at the ready; Galen gave his name, and tried not to fidget as the servant departed. Waiting here, while the chair dripped onto the patterned marble, made him feel terribly self-conscious, as if he were a tradesman come to beg a favor, rather than an invited guest. Fortunately, the footman returned promptly and bowed. “You are very welcome, sir. If I may?”

Galen paid the chair-men and surrendered his cloak, hat, and walking stick to the footman. Then, taking a deep breath, he followed the man to the sitting room.

“Mr. St. Clair!” Elizabeth Vesey rose from her seat and crossed to him, extending one slender hand. He bowed over it with his best grace, lips brushing lightly. Just enough to make her blush prettily; it was a game, of course, but one she never tired of, though she would not see forty again. “You are very welcome, sir. I feared this dreadful rain would keep you home.”

“Not at all,” Galen said. “My journey here was warmed by the thought of your company, and I shall carry the memory of it home like a flame.”

Mrs. Vesey laughed, a lilting sound that matched her Irish accent. “Oh, well done, Mr. St. Clair—well done indeed. Do you not agree, Lizzy?”

That was addressed to a taller, more robust woman, one of at least a dozen scattered about the room. Elizabeth Montagu raised one eyebrow and said, “Well spoken, at least—but my dear, have you not instructed him in the proper dress for these occasions?”

Galen flushed, faltering. Mrs. Vesey looked him over from his ribbon-bound wig to the polished buckles of his shoes, and tsked sadly. “Indeed, sir, we have a very strict code for our gatherings, as I have told you most clearly. Only blue stockings will do!”

He looked down in startlement at his stockings of black silk, and tension gave way to a relieved laugh. “My humblest apologies, Mrs. Vesey, Mrs. Montagu. Blue worsted, as you instructed. I will endeavour to remember.”

Linking her arm through his, Mrs. Vesey said, “See that you do! You are far too stiff, Mr. St. Clair, especially for one so young. You mustn’t take us too seriously, or our little Bluestocking Circle. We’re merely friends here, come together to share ideas and art. Dress as if for court, and you’ll put us all to shame!”

There was some truth to her words. Not that he was dressed for court; no, his gray velvet was far too somber for any occasion so fine, though he was very pleased with the new waistcoat Cynthia had given him. But it was true that few of the people present showed anything like such elegance, and in fact one of the two gentlemen present might have been a tradesman, dressed for a day of work.

Galen let Mrs. Vesey conduct him about the room, making introductions. Some he’d met before, but he appreciated her reminders; he always feared he would forget a name. The two gentlemen were new to him. The seeming tradesman was one Benjamin Stillingfleet—who, true to Mrs. Vesey’s word, was wearing ordinary blue stockings—and the other, a stout and loud-voiced figure, was revealed to be the great Dr. Samuel Johnson.

“I am honored, sir,” Galen said, and swept him a bow.

“Of course you are,” Johnson grunted. “Can’t go anywhere in this town without being known. Damned nuisance.” His head jerked oddly on his shoulders, and Galen’s eyes widened.

“If you did not want recognition,” Mrs. Montagu said tartly, “you should not have poured years of your life into that dictionary of yours.” She took no notice of the gesture, nor of his ill manner, and Galen thought it best to follow her example.

Mrs. Vesey’s drawing room was a masterpiece of restrained elegance, its chairs upholstered in Chinese silks that showed to great advantage in the warm glow of the candles. It lacked the ruelles and other accoutrements of the great salons in Paris, but this was a modest affair after all; scarcely more than a dozen guests altogether. Mrs. Montagu hosted much larger gatherings at her own house on Hill Street, and she was nothing to the French salonnières. Galen was glad of the smallness, though. Here he could believe, as Mrs. Vesey said, that he was among friends, and not feel so conscious of himself.

As he retired to a chair with a glass of punch, Johnson picked up the thread of a conversation apparently dropped when Galen entered the room. “Yes, I know I said March,” he told Stillingfleet impatiently, “but the work takes longer than expected—and there’s another project besides, a series called The Idler, which will begin next month. Tonson can wait.” His manner as he spoke was most peculiar—more strange tics of the head and hands. It was not a palsy, but something else altogether. Galen was torn between staring and looking away.

“Shakespeare,” Mrs. Vesey murmured to Galen, not quite sotto voce. “Dr. Johnson is working on a new edition of the plays, but I fear his enthusiasm fades.”

Johnson heard her, as she no doubt meant him to. “To do the work properly,” he said with dignity, “takes time.”

Mrs. Montagu laughed. “But you don’t dispute the lack of enthusiasm, I see. What play is it you edit now?”

“A Midsummer Night’s Dream, and a piece of nonsense it is, too,” Johnson said. “Low comedy—quite unappealing, to discerning tastes—full of flower faeries and other silliness. What moral lesson are we to derive from them? Do not tell me he wrote of pagan times; it is a writer’s duty to make the world better, and—”

“And justice is a virtue independent of time or place,” Mrs. Montagu finished for him. “So you have said before. But must there be a lesson in faeries?”

The writer’s eyebrows drew together sharply. “There can be no excuse for them,” Johnson said, “if they serve not a moral purpose.”

Galen found himself on his feet again, with no sense of transition, and his glass of punch clutched so tightly in his hand he feared the delicate glass would shatter. “Why, sir, you might as well say there can be no excuse for a tree, or a sunset, or a—a human, if they serve not a moral purpose!”

Johnson’s white eyebrows rose. “Indeed there is not. The moral purpose of a human is to struggle against sin and seek out God, to redeem himself from the Fall. As for trees and sunsets, may I refer you to the Holy Bible, most particularly the Book of Genesis, wherein it tells us how the Lord created the day and the night—and therefore, we may presume, the transition between them—and also trees; and these are the stage upon which He put His most beloved creation, which is that human previously mentioned. But show to me, if you will, where the Bible speaks of faeries, and their place in God’s plan.”

While Galen sputtered, searching for words, he added—almost gently—“If, indeed, such creatures exist at all, which I find doubtful in t...