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If I Only Had a Horn: Young Louis Armstrong - Softcover

 
9780618250769: If I Only Had a Horn: Young Louis Armstrong
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Roxane Orgill’s vivid words and Leonard Jenkins’s dramatic pictures combine to tell the story of a boy who grew up to be a giant of jazz—the legendary and beloved Louis Armstrong. As a poor boy in New Orleans, where music was everywhere—dancing out of doorways, singing on street corners, crying from the cornet of the great Joe Oliver for all to hear—Louis longed for a horn so that he too could sing, bring home pennies, and, most of all, tap happy-feet blues till the sun rose. It wasn’t going to be easy. Many things, not all of them good, had to happen before he got his horn. But when at last he did, he sent music spiraling up into the New Orleans night sky like a spinning top gone crazy.

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About the Author:
Painter Leonard Jenkins is also the illustrator of The Man Who Knew Too Much, retold by Julius Lester. He lives in New York City.
From School Library Journal:
Grade 2-5. According to an author's note, many stories exist about the esteemed Louis Armstrong, especially in regard to his first encounters with a trumpet. To tell a story that is as "true as possible" to Armstrong's character, Orgill has sifted through his autobiographies and through various biographies to fashion this musically charged tale. Young Louis's love of song and dance is well known in the streets of New Orleans, but his exuberance gets the best of him one wild New Year's Eve, and after shooting an old .38 into the air, he finds himself in the Colored Waifs' Home. There, a Mr. Davis takes an interest; he makes the boy learn rhythm on a drum and practice "mellow tones" on an old bugle before giving him a cornet?but finally, Louis's dream comes true. As the story ends, Louis leads a band down Liberty street and, as we know, marches into musical history. A more hardened tale than Alan Schroeder and Floyd Cooper's admittedly "fictional re-creation" Satchmo's Blues (Doubleday, 1996), this account is probably closer to the truth. Using the two books together, however, could give teachers a great platform for discussing truth in biography. In tune with the text, Jenkins peoples the story with a rich array of faces and backs the characters with montages of swirling colors in acrylic, pastel, and spray paint to create a setting that pulses with the sounds of jazz.?Barbara Elleman, Marquette University, Milwaukee, WI
Copyright 1997 Reed Business Information, Inc.

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