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In a luminous memoir of a life richly lived, one of America’s finest writers explores the themes that have shaped his life and work: the glories of the natural world, the lure of working for a circus and fighting forest fires, the afflictions of temporary blindness and blocked speech, and the enduring influence of literary friendships, including John Berryman’s, Edward Abbey’s, and his mentor, Archibald MacLeish.

From his childhood in rural Connecticut to some of the earth’s last remaining wildernesses, Hoagland has traveled the world wielding his unusual gift for observation. In Compass Points he delivers an honest and lively accounting of his voyages through two marriages; the New York parties he attended as a precocious young writer; Vermont hippiedom and academia; his many vivid sojourns into Europe, Alaska, British Columbia, the Sudan; and, perhaps most unforgettably, his stint in the “Animal Department” of Ringling Bros. and Barnum & Bailey Circus fifty years ago. Leavened with Hoagland’s trademark humor and insight, Compass Points is an entertaining and moving account of the days and nights of one of our most eminent literary voices.

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Review:
This engaging memoir has the same plainspoken eloquence and down-to-earth intelligence that distinguish Edward Hoagland's nature and travel writing, from Tigers & Ice to African Calliope. Compass Points opens with an account of the gradual loss of his eyesight in the 1980s, characteristically detailed and utterly lacking in self-pity: blindness made it hard to grade papers or indulge his love of walking, he writes, but it was great for his sex life, and for some reason his lifelong stutter improved. Surgery finally restored his vision, and a new look at the world prompted the writer to turn toward autobiography. Lucid, frank, and funny, his recollections range from an affluent WASP childhood in New York City and its suburbs to joining the circus in 1951 at age 18, then marrying and divorcing twice as he roamed the world and discovered his vocation. Hoagland began his writing career as a novelist, and his early fiction was fairly well received, so that readers can only be grateful that he concluded, after a few books, that he was better suited to the "familiar, unassuming" tone of the personal essay. That intimate tone binds the rambling text together, as he pauses in his personal chronicle to muse on the nature of friendship (we need both the fair- and foul-weather kinds, he concludes), the burdens and benefits of aging, or some other more general topic. There's literary gossip, too--after all, Archibald MacLeish and Alfred Kazin were his teachers, John Berryman was a friend, and Norman Podhoretz was his second wife's boss at Commentary. But the focus rightly remains on Hoagland's life experiences and thoughts, in this deceptively casual but artfully organized narrative. --Wendy Smith
From the Back Cover:
“Ablaze with wonder in nature but also at the glorious mess of the human condition.”–The Washington Post Book World

“The precision with which Hoagland sees and the appetite with which he explores are staggering.”–Philip Roth

“A poignant and substantive summing up of the life and work of one of the finest writers this nation has produced.”–The Oregonian

Compass Points is sensual, taut, pungent, and full of the hot licks of a vigorous, involved life.” -- Annie Proulx

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